![]() ![]() Suite only adds instruments and M4L, if you are happy with logic I don't a reason to switch, its instruments are quite good and the workflow while traditional it is good. Has anyone went for Standard only to then go for suite because it didn't do something they wanted it to do? Couple with all my Logic samples, I have a ton to choose from. I like that it has more instruments and more samples. I do not know if suite is worth the extra money? My Ableton account will let me do a full 30 day trial of the Suite version of Live 10, the problem is, I don't want to download that, get used to having everything and not really be sure what would be missing and how much it would matter in the standard version. There are a lot of things I do in Logic that I cannot do in Ableton and I have seen some YouTube videos that show some of those features are now in Ableton 10. I'm curious if Ableton Live 10 is worth the upgrade. I have Ableton Live 9 Standard, I've had it for quite some time, although I admit I didn't really sink into it until lately. Also, as far as all the sounds Logic comes with, Ableton lets me use all the Logic samples and I just drag them into whatever Ableton instrument. One thing that draws me back to Ableton is for whatever reason when it comes to electronic music, I am more creative in Ableton than I am in Logic. Rather it be Pro Tools, Logic, etc (right now I use Logic)Ībleton live is a much different type of DAW and at first I ignored it but then I made myself learn what most of it did and how to use it for the most part. I've been recording that whole time and have even worked professionally in studios recording. VST3 plugins are provided for both OSes, and Apple users can use Apple Silicon native binaries.I am not new with music, I've been playing guitar almost my whole life. GPU Audio’s Space & Time Bundle is available for Windows and MacOS. This is the stand-out of the collection, in my personal opinion, and is a fun reverb to play with when fed from your own supply of IRs. Instead, you can take advantage of the algorithmic portion of the reverb itself to add longer times and control the early and late reflections.Ī source for modulation of the reverb tail is missing, but aside from that, it calls to mind the Hybrid Reverb from Ableton Live. You can use it as a simple IR loader, but that would be doing it a great disservice. It is a straight and to-the-point delay with a good amount of charm and flexibility.įIReverb rounds the collection out and blends IRs with algorithmic reverbs. ![]() Each of the bandpass filters has some saturation, which is a personal favorite feature to have. The time controls on the delay itself can be set independently, which makes it a rather flexible delay unit. Each delay line also has its own bandpass filter, handy for sweeping out those heavy lows and highs. The left and right taps can be set to ping-pong and looping modes. The included IRs are excellent, and naturally, you can provide your own to get longer tails or lusher spaces.ĭelay is a rather flexible delay. There are two controls of note, a rotary knob for selecting your IR of choice and a wet/dry knob. The most basic is the FIR Convolver, your typical IR loader. There are three plugins present, all using the innovative tech GPU Audio has been pushing since the release of its first reverb. GPU Audio has introduced its second installment of the free Beta Suite, the Space & Time Bundle. There is something inspiring about adding space and character to sounds, and I always make room for plugins that make room. ![]() GPU Audio releases the Space & Time Bundle, a free plugin beta suite containing an IR convolver, a reverb, and a delay plugin.ĭelays and reverbs are probably the most swollen subset of my plugin folder behind compressors.
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